The idea that alcohol and drugs can stimulate
artists, writers and musicians to create great works of art is a
“dangerous myth” and can actually stifle creativity, a psychiatrist
has said.
Dr Iain Smith, a consultant in addiction
psychiatry at Gartnavel Royal Hospital in Glasgow, was speaking at
the International Congress of the Royal College of Psychiatrists in
Edinburgh.
He said that while many artists and writers,
such as the 19th century French poet Baudelaire and
American writer Ernest Hemingway, were well known for their use of
intoxicating substances (cannabis and alcohol respectively), most
produced their greatest works when they were sober.
Dr Smith said: “The reason that this myth is
so powerful is the allure of the substances, and the fact many
artists need drugs to cope with their emotions. Artists are, in
general, more emotional people and the use of substances to deal
with their emotions is more likely to happen.”
He added that drugs and alcohol are social
substances and many creative people, such as Ernest Hemingway and
the French artist Degas, spent a lot of time in Parisian cafes
exchanging ideas and imbibing large quantities of absinthe and
other types of alcohol.
Dr Smith said that American writers Tennessee
Williams and Hemingway were both addicted to alcohol. He said poets
Coleridge and Keats favoured opiates, as did writers Proust and
Edgar Allan Poe, while Vincent van Gogh drank absinthe. American
writers F. Scott Fitzgerald, Eugene O’Neill and William Faulkner
were all recipients of the Nobel Prize for Literature, and all were
alcoholics.
Dr Smith told the Congress that the American
writer Hunter S. Thompson once wrote: “I’d hate to advocate drugs,
alcohol or insanity to anyone – but they’ve always worked for me”.
Baudelaire also urged fellow poets “to be drunk always”. But from
reviewing the evidence, Dr Smith claims that many of these artists
were most productive during times of sobriety. He said: “The idea
that drugs and alcohol give artists unique insights and powerful
experiences is an illusion. When you try and capture the
experiences [triggered by drugs or alcohol], they are often
nonsense.”
For example, the strong visual experiences
triggered by hallucinogenic drugs, such as LSD, can be captured on
canvas – but this is unlikely to happen in other fields such as
music and writing. Dr Smith said: “These drugs often wipe your
memory, so it’s hard to remember how you were in that state of
mind.”
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References:
International Congress of the Royal College of Psychiatrists, Edinburgh, 21-24 June 2010.